Between the major Tintin albums Red Rackham’s Treasure and The Seven Crystal Balls, Hergé’s work took an unusual detour during the wartime period in Belgium. In the pages of Le Soir, a serialized story appeared under the title Thomson and Thompson Detectives, offering a very different kind of Tintin-related adventure.
Unlike the standard album format, this story was produced in a hybrid style: each week featured a single drawing by Hergé, accompanied by narrative text written by another author. This created a distinctive rhythm, more akin to illustrated fiction than a conventional comic strip.
The story opens in a surprisingly grounded setting, with the Thomson & Thompson detectives assisting a farmer and becoming involved in the everyday work of churning wheat on a rural farm. From this humble beginning, however, the narrative gradually develops into something far more complex.
As the plot unfolds, the twins find themselves drawn into a murder investigation, giving the story a noticeably darker tone than many typical Tintin-related works. Despite this, Hergé’s signature humor remains present throughout, largely carried by the Thompsons’ misunderstandings and misadventures.
The result is a fascinating blend of comedy, mystery, and wartime serialization constraints. It stands out not only for its unusual format, but also for the way it bridges lighthearted rural scenes with a more serious investigative storyline.
Though it is not part of the official Tintin albums, Thomson and Thompson Detectives remains an intriguing example of how Hergé’s universe expanded into experimental formats during a turbulent period in history.
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